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Carrie Newcomer is a songwriter, recording artist, performer and educator. She has been described as a "prairie mystic" by the Boston Globe and one who "asks all the right questions" by Rolling Stone Magazine. Carrie has 19 nationally released albums on Available Light & Concord/Rounder Records including Until Now, The Point of Arrival and The Beautiful Not Yet. Newcomer has released three books of poetry & essays, A Permeable Life: Poems and Essays, The Beautiful Not Yet: Poems and Essays & Lyrics, and Until Now: Poetry by Carrie Newcomer. Her song "I Should've Known Better" appeared on Nickel Creeks' Grammy-winning gold album This Side, and she earned an Emmy for her PBS special An Evening with Carrie Newcomer.

Recent appearances include PBS Religion and Ethics and Krista Tippett's On Being. In 2009 and 2011 Newcomer was invited by the American Embassy of India to be a cultural ambassador, resulting in her interfaith benefit album Everything is Everywhere with master of the Indian Sarod, Amjad Ali Khan. In 2013 Carrie traveled to Kenya and the Middle East, performing in schools, spiritual communities and hospitals assisting AIDS patients. In 2015 Carrie's first musical, Betty's Diner: The Musical was produced by Purdue University. In 2016 Carrie was awarded an honorary degree in Music for Social Change from Goshen College. In 2019 she received The Shalem Institutes's Contemplative Voices Award.

In recent years Carrie joined with the author Parker J. Palmer on several projects, including The Growing Edge collaboration which explores growing edges, personally, vocationally and politically. Together they create live events, personal growth retreats, and the highly rated The Growing Edge Podcast that features authors, activists, poets and musicians, and online conversation starters for book and other conversation groups. Spirituality and Health Magazine named Parker & Carrie in the top ten spiritual leaders for the next 20 years.

https://www.carrienewcomer.com/

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$30 admission

“Despite his success and sense of history, Mr. Paul remains an artist with his eye on the future and an interest in discovering the transformative potential in his music.” - The New York Times

Some artists document their lives through their music. Others chronicle their times. It’s a rare artist who can do both, telling their own story through songs that also encapsulate the essence of people and places who have helped define their era overall. Woody Guthrie, Bob Dylan and Bruce Springsteen all come to mind. Yet few songwriters can relate their own life to the life experienced by others who find that common bond — the exhilaration of the open road, the celebration of heroes, the coming of age, the hope for redemption, the sharing of love, intimate, passionate and enduring — the way that Ellis Paul does.

Smart. Literate. Poetic. Singular. Storyteller. Folksinger. Yes, but Ellis Paul is far more. How much more? An incredible 30-year career. 15 Boston Music Awards. 20 albums. Newport Folk Festival. Carnegie Hall. Hundreds of venues from Alaska to Miami, Paris, and London. Dozens of compilations, commercials, documentaries, TV shows, and blockbuster movie soundtracks. He is one of the finest singer/songwriters of his generation — for many, the face of contemporary folk music — and probably no artist on the acoustic music scene is better loved by fans, or more respected by his contemporaries than Ellis Paul.

https://www.ellispaul.com

$35 admission

Over the course of her twenty-five year career, Susan Werner has earned a reputation as “one of the most innovative songwriters working today” (Chicago Tribune). With formidable chops on guitar (she began playing at age 5) and piano (she was a guest on Marian McPartland’s Piano Jazz), along with a graduate degree in voice performance, her shows are a one-woman master class in musicianship. Although best known as an acoustic songwriter that came up through coffeehouses and folk festivals, the Chicago-based artist has written songs in the style of Gershwin and Cole Porter (I Can’t Be New, 2004), gospel music (The Gospel Truth, 2007), traditional Cuban “son” (An American In Havana, 2016), and New Orleans junk piano (NOLA, 2019). In 2014 she composed the music and lyrics to the musical theater score Bull Durham, The Musical (MGM). Her songs have been recorded by Tom Jones, Michael Feinstein, and Shemekia Copeland, and her latest recording of originals, The Birds of Florida, took flight in 2022.

https://www.susanwerner.com/

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“Canada’s finest songwriter.” - Dave Marsh, Rolling Stone Magazine

Throughout a career that now spans almost four decades, Juno and Canadian Folk Music Award winning songwriter James Keeleghan — has created a repertoire of incalculable importance — a unique body of work, either inspired by or drawn from the folk tradition. Keelaghan forges his songs with brilliantly defined craftsmanship and a monogrammed artistic vision, making him one of the most distinctive and readily identifiable voices of not only the Canadian scene, but as a member of the international singer-songwriter community.

His songbook — ten solo albums deep — has enlightened, enthralled, and been embraced by audiences around the world. Keelaghan’s life as an artist is a perpetual journey on so many levels. It’s a journey that has invited fans of literate and layered songwriting to be a part of his artistic expeditions, some that weave their way through marvelously etched stories of a historical nature with underlying universal themes, and others that mine the depths of the soul and the emotional trails of human relations.

https://www.keelaghan.com/